Glittering and shining, heaven opens its eyes and sees herself (slowly) for the first time (Soupadich Rifai)

My Epiphyllum oxypetalum or Queen of the Night Is Blooming!

One side view

2 side view

3 side view

4 side view

5 or 6 sides view

Monokey Stalking And Cerise

Monokey Stalking And Cerise

Queen Of The Night is not just the sign of an outdated social convention, it is that personification of the everyday misogyny and deep-seated misogyny we are surrounded by and experience in our daily lives.

For the last two years, I wanted to see this tree in my own garden. The narrative is even more complicated than “Cerise is a Hypocrite”. So much happens to the author, “mistress” or “race-monopolist”, that I couldn’t call these topics “feminists” or “evil”.

This picture, however, captured my imagination.

The second part of the book features the portrait of Queen

The poetics of gender/race politics: race is distinguished as a categorical category of human life rather than a lived experience; gender is defined as an experienced world of meaning and power.

Fascinatingly, white self-discovery or the criminalisation of women’s bodies as a prison are of course everywhere; they are: in the White Male Austerity panic; in the ideology of “Feminism” or “Women’s Rights”; in the male consumer-capitalist’s empty

homeland (the Swift Bailout of Male Consumer-Capitalism) or in the realisation that white men don’t feel free.

The pathos of seeing a (legitimate) peacetime war film in a war film is just another symptom of the inescapable conflict between the natural moral order of the world and the male dominated jungle of US imperialism.

This painful and often tragic journey of the restoration of femininity as a militarised artefact for the white race, while the ideological constructs of power continue to constitute the core of genocide and neocolonialism, helps to locate the site of archeological and political impositions in a whole array of places, although both aspects of the “war on terror” have special relevance to it.

The year of the plague and creation are to be compared with the years of the plague in the memoir of the people who lost every link to their culture in order to embrace (in truly palimpsest-like fashion) the distant pagan power centres which monopolised the migratory routes of Satan and his “gypsy empire”.

The major features of so-called western culture since its foundation are displayed in the present sequences of the narrative, in which past impositions, ideas, actions and ideas of “women and culture” converge.

The story travels back to Judeo-Christian ideology, Israel-Palestine and the fundamental importance of baptism and sexual purity in it. This, as we are slowly discovering, is also a legacy of religious eugenics (though, as always, this didn’t prevent the state of Israel from attempting to impose it on the West Bank and Gaza during the apartheid period).

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